Mat open types

Story of the Mats

When to use each style.

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Single Mat


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The first type of mat was a single layer.

 Today it is much more common to use two or three layers.

Ultra-thick mat ( 8 plies) used on Hight-End artwork where the frame designs are simple and classic, not decorative.

Single mats also have applications when matting vintage, classic, or antique pieces as it helps them look authentic to their era

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Double Mat





Double mats allow you to add an accent color that can be used to help draw attention to the art by outlining it.



 However, a double mat can be made using two of the same color for a more subtle look.

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Triple Mat



When using three layers, you have even

 more opportunity to use color, but once

again, all the layers can be the same,

or you can sandwich an accent color

 between two of the same color.

 

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Mat with Fillet



Fillets, narrow moldings, used as an accent, either inside the lip of a frame or more often in mat openings.

They offer more depth than mats and finish comparable to frame, so they are useful to coordinate

with the framework for a highly customized look.

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Mat with spacers



Spacers used between mat layers for extra depth.


 The spacers can bring out the inherent design in the art, such as a landscape with perspective.


It can also add actual depth to accommodate an object or dimensional art.

Our computerized mat cutter can cut (almost) any design from either our group of pre-designed mats , creative image designs or your special design created in coral draw.

Custom Openings



Although most mat openings are square or rectangular, shapes can be cut to mimic irregular art shapes.

 Unique cuts add to the appearance. For example, angled corners (octagonal cuts) can hide dented or broken edges on the art, etc.

Multiple Openings



Multiple openings are used to display items with relational connections with each other to complete the story.  Doing so allows you to place more than one picture in a frame. 

 Multiple openings work exceptionally well with things such as family or vacation photos,

stamp collections, or anything else you want to display together.



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Colorful Mats



There are numerous mat colors to choose from, yet neutrals account for most mat sales.

People tend to tire of specific colors more quickly than neutrals.

 Yet there is a time and place to use bright shades of color.

When using colorful mats, remember the art should be the focal point of the completed frame design.

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Neutral Mats



Neutral mat colors tend not to compete with the art as much as colorful mats.

Neutral matting allows more flexibility to hang the framed artwork in other situations, following a move or redecorating project.

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Light-Medium -Dark Mats



Allow you to show the artwork in a different light by changing the color base of the matting with three different colors.

 None of the choices are wrong, just different.

Dark mats tend to allow the light in the art to pop while a light matting usually intensifies the darker colors.

A mid-tone mat keeps both the light and dark details in the artwork more equal

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Fabric Mats

Fabric covered mats can add a richness to your frame designs that paper surfaced mats may not provide.

 They are nearly always used when framing objects.

When choosing which fabric to use, consider the subject matter, era, and be sure it sets

off the item being framed rather than blending so perfectly that it gets lost in the mat.

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Pattern and Textures



In addition to fabric textured mats, other mats are available with printed designs or embossed textures

add for decorative purposes only.

Be careful to avoid mats that distract from the item you are framing.

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Uniform Mat Borders



When the unframed art looks well-balanced, it is generally OK to use uniform mat borders on all sides to maintain that look.

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Bottom-Weighted



A bottom-weighted mat is one where the border below the image is wider than the boundaries above and beside it.

This technique is used both for aesthetic and functional reasons.

 When an image has darker colors, larger shapes,

or more texture or pattern in the lower half than it

does in the upper half, it can look like it is sinking

 into the mat once it when framed.

 By increasing the width of the lower mat border,

 the completed piece looks more balanced.

If the image itself has a more significant margin

 below than on the other sides, it is necessary

to bottom-weight the mat to avoid cutting the art.

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Elongated



An elongated mat has a broader border

both above and below the art.

Elongation tends to look best on images that

 are vertical or those who have sharp edge

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